Final Call for Overseas Bridal Photography in UK

Following my previous post on overseas bridal photography in London, we are going back to the charming city of Central London and possibly New Castle this coming October. This is one place that I have been visiting every other year since 2008 for overseas photography sessions.

Those who are keen to join us, please drop me an email at stephen@lyricalmoments.net  asap! 🙂

And one of my all-time favourites photographed in Bath, UK

Beautiful Parisian bridal gown 'twirled' in Bath, UK

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Printing for Competitions

It’s the time of the year when competitions start to pile up one after another.  We have the Master Photography Awards,  which I’ve been a part of since 2007, Canon Creativeasia, WPPI and AIPP, spread out over the year.

IMO, photography competition should be a print competition, especially for wedding photography section.  My approach to photography is always about the print and print quality is such a neglected concept amongst wedding photographers, especially when most just want to deliver images on a CD.  Also, what looks good on screen, doesn’t necessary means it can be printed out nicely. Yesterday, I attended a workshop by

To be honest, print quality has never been in my vocabulary until I joined the Master Photographer Association (MPA) from UK.  And trust me, I learnt it the hard, hard way.  First lesson I learnt, you need time to do a good print; knowing how to prepare an image for printing requires discipline.  Before anything gets printed to 8″x10″ or 10″x12″ for the competition, the lab needs to print out a set of proofs on 4″x6″ on the paper of choice.  Choosing the right kind of paper is another hairy part of the print making process that even my own printers have problems grappling with.  Some of the prints are obvious candidates for Kodak Endura Metallic paper or Fuji Pearl paper, some are slightly more artsy that looks great printed on fine-art matt or textured paper, some are safer on lustre paper because of the high dynamic range compared to the former. Oh wait, don’t even bother about metallic or glossy paper for competitions like WPPI, having your prints viewed in a room lit by just 2 strong light source at 45 degrees to the print means you’re probably better off with matt paper…. these are power tips that are shared by veterans as well as judges from WPPI.

For example, this is one print that I did on metallic paper for MPA because of the shimmer in the image itself and the grass textures is brought out really nicely on it.  Matt or lustre paper somehow looked a little too safe for this.

The Missing Link

As well as this piece, Tangled

Tangled

 

The next one that I photographed in Morocco, entitled Hand-some, was printed on lustre paper.

 

Also, all these works were shot on my Hasselblad H4D-40, a digital medium format setup which gives incredible details and tonality when we print it.  It’s really about how effortless and how smooth the details are being drawn, and this is something that make me wish that all competitions are at least 16″x20″ in print size! 🙂

We have consolidated over 100 prints from 6 photographers to share out the freight cost.  Trust me, a 5.4kg parcel ain’t cheap, but sharing it among 6 photographers makes it really affordable at USD$17 per pax.  Good luck Team Singapore!

 

 

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Weilun & Qiaoling | Singapore Wedding Photography

Wedding is not just an event about two person’s commitment to each other, more than that it is an event where people that you know all your life shows up to share those moments of fun, joy, laughter (and booze) with you.

The wedding of Weilun and Qiaoling was one that not only celebrates the fact that they have known each other since Secondary or Middle school and finally tying the knot, but the friends whom they have known since childhood were there with them on their Red Letter day.

Oh yes, the Geek Boys vs Leopard Prints Gals, was simply hilarious! (My toes are giggling as I’m typing now…)

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Wedding Photography tips: Neutral Density Filters – what the Singapore wedding photographer like me can’t live without

One of the biggest challenges for outdoor photography in Singapore is working with rather harsh lighting from the sun.  Some might argue that we have the same sun throughout this solar system, but having done assignments in various part of the world, I’d say that not only is the quality of light very different (the angle in which the light strikes on different part of the world seems different), we have a much longer duration of good light.

A typical outdoor photography session in Singapore usually gives us about 2-3 hours of good quality light, around 4pm to 7pm; in the last shoot we did in Melbourne, we had 7 hours of good light during summer.

To add salt to the wound, clear skies with nice dramatic is a rarity, and even when it happens, chances are that there will be little contrast between the clouds and the sky in what most people describe as a ‘washed-out’ sky.

What photography books will teach you is to use a flash to balance the exposure.  Yes, this method works but Skye Tan, a renowned fashion photographer in Singapore, shared with me his technique of using ND filters for outdoor photography and I can never thank him enough for that.  The idea is to use a neutral density (we’ll call it ND) filter in front of the lens, which not only help to trim down the exposure for the sky and rendering it blue, but also, it improves the contrast between the clouds and the sky.  Using a higher flash shutter sync will make the sky darker, but somehow those shot with the ND filter gives a better sky-cloud contrast.

And I thought lighting in Singapore was harsh enough, until my assignment in Morocco.  Just a week before my trip to Marrakesh in Morocco, a Master Photographer from UK, Kevin Wilson, shared with me how harsh light can get over in the North African city and I went with the ND2 and ND4 filters.  How good are these filters? Well, looking back now, I feel that they made my trip worthwhile!

So what exactly does ND filters do?  Here are some examples:

This is shot by Don Lim, another photographer who was assisting me for this photo shoot.  I got him to take this photo for comparative study later and the image is quite closed to how the scene looked like that morning @9am.  This is done with post-production for the skies to make it look bluer.  The intention of this image is not to show how bad it look (this image looks fine actually), but how much more potential you can get out of using filters for the same scene.


Shot with an ND2 filter with the strobe.  .  Look at the details and texture that we could get from the 4 brick structures, as well as the floor, even under such harsh lighting.  There’s very little post-production work that I did to this image to achieved to get this look.

We proceeded to the palm area and at 10am, we needed to trim off even more light from the sky and out came the ND4 filter from the bag.  Compared to the ND2, the ND4 filter cuts down by 2 stops instead of 1.


More examples from Singapore:

I managed to get the sky details without having to do any post-production to the picture. This was shot on a seemingly cloudy day.

One more example from a recent photo shoot in Singapore under extremely harsh 12 noon sun.  Again, look at how the filter managed to tame the scene down.  Very little or no post-production work was required to bring out the floor or skies details.  The warm tone and sky colour is applied in post-production.


In conclusion, are ND filters a good investment?  Yes, they can be inexpensive if you know where to buy them (Ebay & B&H are my best friends).  No doubt, some might argue even if we don’t use an ND filter, with some more post-production work, we might be able to achieve the same effect.  But that means additional work in Photoshop and in wedding photography, we deal with not one, but a series of images from the same scene for the clients’ album – attempting to do post-production on every image with the consistent amount of dodge/burn can be a nightmare and certainly a tedious task.

If you’re not convinced, you can always try it out with the cheaper ones out there (there are some good buys over Ebay) for a start.  Once you’re comfortable with it, you might want to upgrade to better quality ones like Lee filter or Tiffen.

To end off, many thanks to Skye Tan for his generous sharing of knowledge and techniques on how to bring the Skye sky out in the image 🙂 Also, thanks to Don Lim, for his permission to use the image for educational purpose.

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Jeanine & Mark – Top of the World@1-Altitude | Singapore Wedding Photography

When Jeanine & Mark told me about tying the knot at 1-Altitude, I was very excited because their event would be considered one of the first few weddings to grace the venue (in fact, some parts of the rooftop were having some on-going work in progress).  1-Altitude is

I love outdoor weddings simply because most of the wedding photography in Singapore are shot indoors and knowing how unpredictable the weather is over here, we were keeping our fingers crossed for great weather…

Over the past 2 years, international clients have formed the majority; out of the 30 jobs that we do each year, a good 80% are either 1) couples from overseas 2) couples working overseas 3) Singaporeans based overseas but having their wedding in Singapore.  Jeanine & Mark, like most of my clients, had guests from all over the world who really know how to enjoy themselves at a wedding!

Update on 18/07/2011:

Here’s a really nice slideshow of the wedding that I uploaded on youtube.  Let me know what you guys think of it.

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Overseas bridal photoshoot in London, October 2011

Lyrical Moments is organising another photoshoot in London and UK this Oct 2011. Bookings are limited and we will accommodate another two more sessions. Those interested to join us please contact stephen@lyricalmoments.net . Have a great weekend ahead! 🙂

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